Since making her debut in 2010, K.Flay has spun fearlessly detailed lyrics that show the bright and dark of the world in her head. For her second full-length Every Where Is Some Where, the L.A.-based alt-pop/hip-hop artist pushed deeper into introspection while adding an element of political commentary. The result is her most deliberate and dynamic work yet, a thrillingly vital album that channels the frenzy and anxieties of today's world.
The follow-up to her 2016 EP Crush Me - whose lead single "Blood in the Cut" was nominated for a GRAMMY Award for Best Rock Song and hit the top 5 on Alternative radio - Every Where Is Some Where amps up its defiant spirit with a densely textured yet gritty sound. "After Life as a Dog I was listening to so much late-'90s/early-'00s rock," says K.Flay, aka Kristine Flaherty, referring to her 2014 full-length debut. "I was absorbing the energy of people like Karen O, Shirley Manson, and Emily Haines and feeling totally inspired by it, so there's lots more live guitar, bass, and drums on this record." Working with producers like Mike Elizondo (Twenty One Pilots, Fiona Apple, Regina Spektor, Skylar Grey) and Tommy English (BØRNS, Andrew McMahon in the Wilderness, Ladyhawke), K.Flay deftly infused the album with the same raw intensity she's revealed in touring with such artists as Passion Pit, Icona Pop, Awolnation, and Theophilus London.
Not long after putting out her 2013 EP What If It Is (featuring a collaboration with Danny Brown), K.Flay launched her own label for the release of Life As a Dog. Then in 2016, she became the first artist signed to Night Street/Interscope Records (an imprint helmed by Imagine Dragons frontman Dan Reynolds), releasing Crush Me that August. "I feel like I've somersaulted into everything that's happened since I first started making music," says Flaherty. "It's like I kept slowly turning to the right and ended up doing this for a living, which is pretty amazing to me."
In creating Every Where Is Some Where, K.Flay hit a new level of complexity and candor in her lyrics, as encapsulated in the stream-of-consciousness storytelling of tracks like "Champagne." "Details are everything to me," says Flaherty of that gorgeously unhinged song's lyrical intricacy. "There are only so many ways that humans feel - but infinite ways to describe and embody those feelings." And in immersing herself in the process of crafting such lyrics, Flaherty eventually arrived at the realization that "you can understand the fact of your own smallness in this world while still celebrating the very particular singularity of who you are and where you happen to stand." That moment of truth proved to be an album-defining revelation, and instilled Every Where Is Some Where with an unlikely sense of hope. "Each song on the record is about creating a different kind of meaning out of a different kind of something," Flaherty says. "Even the dark places are places. You're still somewhere."